East of the Sun and West of the Moon by Kelsey Hamersley. Pencil. March 2013.
“When she awoke in the morning both the Prince and the castle were gone, and she was lying on a small green patch in the midst of a dark, thick wood. By her side lay the self-same bundle of rags which she had brought with her from her own home. So when she had rubbed the sleep out of her eyes, and wept till she was weary, she set out on her way…”
I posted a study for this sketch earlier…Kind of fun seeing how the composition developed. I changed Lassie’s pose a fair bit and made her smaller—it just helps contribute to the loneliness which is a big part of the mood in this stage of the story. After doing a lot of experimenting with different inks, I’m leaning towards simply doing watercolors for the finals. The ink color I liked best was supposedly waterproof, but would bleed whenever it got wet, so I would have had to put all the watercolor painting in before I got to the pen work. And knowing how easy it is to get drips or mistakes that you can’t take back with pen work…I’d rather save myself the stress! :P

East of the Sun and West of the Moon by Kelsey Hamersley. Pencil. March 2013.

“When she awoke in the morning both the Prince and the castle were gone, and she was lying on a small green patch in the midst of a dark, thick wood. By her side lay the self-same bundle of rags which she had brought with her from her own home. So when she had rubbed the sleep out of her eyes, and wept till she was weary, she set out on her way…”

I posted a study for this sketch earlier…Kind of fun seeing how the composition developed. I changed Lassie’s pose a fair bit and made her smaller—it just helps contribute to the loneliness which is a big part of the mood in this stage of the story. After doing a lot of experimenting with different inks, I’m leaning towards simply doing watercolors for the finals. The ink color I liked best was supposedly waterproof, but would bleed whenever it got wet, so I would have had to put all the watercolor painting in before I got to the pen work. And knowing how easy it is to get drips or mistakes that you can’t take back with pen work…I’d rather save myself the stress! :P

Little (3 3/4”x4”) sketch study for East of the Sun and West of the Moon, by Kelsey Hamersley. Pencil and colored pencil. March 2013.
Quoting the version of the tale on Surlalune Fairy Tales,



When she awoke in the morning both the Prince and the castle were gone, and she was lying on a small green patch in the midst of a dark, thick wood. By her side lay the self-same bundle of rags which she had brought with her from her own home. So when she had rubbed the sleep out of her eyes, and wept till she was weary, she set out on her way…




I’m working on doing an 8”x10”, detailed pencil drawing based off of this sketch, and then plan on making the final in pen & ink (using dip pen) and watercolor.
Happily, I am pretty much done with the storyboard and spacing the text out! That was the part that really worried me, but—although it was tricky and I had to do a fair amount of rearranging—it wasn’t nearly as intimidating as I imagined. Actually, sort of fun, like a puzzle. :) This whole process has been somewhat of a relief to me, and a revelation. I’ve been labeling myself as “aspiring children’s book illustrator” for that last few years, because that was the venue that really screamed out to me considering my taste and style (not to mention love of books and fairy tales)…but, like other careers, it’s hard to really say whether you’re really meant for it until you try it for yourself. This is my first time doing something like this, and though I was naturally trepidatious going into it, it’s been a wonderful experience thus far. So, yay for that. ;) God has blessed me.

Little (3 3/4”x4”) sketch study for East of the Sun and West of the Moon, by Kelsey Hamersley. Pencil and colored pencil. March 2013.

Quoting the version of the tale on Surlalune Fairy Tales,

When she awoke in the morning both the Prince and the castle were gone, and she was lying on a small green patch in the midst of a dark, thick wood. By her side lay the self-same bundle of rags which she had brought with her from her own home. So when she had rubbed the sleep out of her eyes, and wept till she was weary, she set out on her way…

I’m working on doing an 8”x10”, detailed pencil drawing based off of this sketch, and then plan on making the final in pen & ink (using dip pen) and watercolor.

Happily, I am pretty much done with the storyboard and spacing the text out! That was the part that really worried me, but—although it was tricky and I had to do a fair amount of rearranging—it wasn’t nearly as intimidating as I imagined. Actually, sort of fun, like a puzzle. :) This whole process has been somewhat of a relief to me, and a revelation. I’ve been labeling myself as “aspiring children’s book illustrator” for that last few years, because that was the venue that really screamed out to me considering my taste and style (not to mention love of books and fairy tales)…but, like other careers, it’s hard to really say whether you’re really meant for it until you try it for yourself. This is my first time doing something like this, and though I was naturally trepidatious going into it, it’s been a wonderful experience thus far. So, yay for that. ;) God has blessed me.

My latest efforts with illustrating East of the Sun and West of the Moon have been working on a storyboard—this will be the first storyboard I’ve ever done! Reaching the climax towards the end now, and for some reason it’s just cracking me up. One of the main lessons you can take out of this fairy tale is that the best way to defeat a bunch of trolls is through common household cleaning. This is their big, epic showdown, trolls versus laundry. It strikes me as vastly ironic.

                                       image

Illustration by H.J. Ford, via SurLaLune Fairy Tales.

By Kelsey Hamersley. Pencil, colored pencil, and watercolor. January 2012.
A color study for East of the Sun and West of the Moon, the part where the bear takes her to visit her family. The proportions aren’t great, nor is her face—I wasn’t really using reference photos—but it’s a start on keying in the composition/style/color scheme I’m going for.

So one Sunday the White Bear came and said now they could set off to see her father and mother. Well, off they started, she sitting on his back; and they went far and long. At last they came to a grand house, and there her brothers and sisters were running about out of doors at play, and everything was so pretty, ‘twas a joy to see.

Quoted from The Blue Fairy Book by Andrew Lang. I’m working on my own retelling of the fairy tale, something not nearly that flowery. ;)

By Kelsey Hamersley. Pencil, colored pencil, and watercolor. January 2012.

A color study for East of the Sun and West of the Moon, the part where the bear takes her to visit her family. The proportions aren’t great, nor is her face—I wasn’t really using reference photos—but it’s a start on keying in the composition/style/color scheme I’m going for.

So one Sunday the White Bear came and said now they could set off to see her father and mother. Well, off they started, she sitting on his back; and they went far and long. At last they came to a grand house, and there her brothers and sisters were running about out of doors at play, and everything was so pretty, ‘twas a joy to see.

Quoted from The Blue Fairy Book by Andrew Lang. I’m working on my own retelling of the fairy tale, something not nearly that flowery. ;)

East of the Sun and West of the Moon by ~bookels
East of the Sun and West of the Moon detail, by Kelsey Hamersley. Acrylic. December 2012.
You can see the full 18”x24” painting on deviantART, where I entered it for the Train Your Brain contest under the illustration category.

East of the Sun and West of the Moon detail, by Kelsey Hamersley. Acrylic. December 2012.

You can see the full 18”x24” painting on deviantART, where I entered it for the Train Your Brain contest under the illustration category.

East of the Sun and West of the Moon by Kelsey Hamersley. Graphite pencil. November 2012.
Based off of my original drawing of the fairy tale from 2009/2010. I’m expanding on that concept, turning it into a wraparound book cover. This is just a sketch study, started and finished yesterday. I plan on doing another study in color and then moving on to an acrylic painting which will hopefully be the final.
…I also plan on fixing her hand so it looks more like she’s pulling her shawl close while bracing herself against the wind and less like she’s pledging allegiance.

By Kelsey Hamersley. Pen & ink and watercolor. October 2012.
I thought I’d take another shot at this study from back in April for East of the Sun and West of the Moon. Having done the rough it was a little easier to see what needed tweaking, but there’s still plenty of room for correction—and, honestly, there are some things from the first that I wish I’d kept in the second. But it’s nice seeing some progress. :)

By Kelsey Hamersley. Pen & ink and watercolor. October 2012.

I thought I’d take another shot at this study from back in April for East of the Sun and West of the Moon. Having done the rough it was a little easier to see what needed tweaking, but there’s still plenty of room for correction—and, honestly, there are some things from the first that I wish I’d kept in the second. But it’s nice seeing some progress. :)

By Kelsey Hamersley. Graphite. December 2011.
Another study for East of the Sun and West of the Moon.

By Kelsey Hamersley. Graphite. December 2011.

Another study for East of the Sun and West of the Moon.

By Kelsey Hamersley. Pen & ink. March 2012.
A quick study for East of the Sun and West of the Moon. I was kind of reminiscing about Arthur Rackham’s Alice in Wonderland illustration, Advice from a Caterpillar, when I drew this.

By Kelsey Hamersley. Pen & ink. March 2012.

A quick study for East of the Sun and West of the Moon. I was kind of reminiscing about Arthur Rackham’s Alice in Wonderland illustration, Advice from a Caterpillar, when I drew this.